Johann Mattheson’s Der vollkommene Capellmeister: a revised translation with critical commentary. Front Cover. Johann Mattheson, Ernest Charles Harriss. Der vollkommene Capellmeister, Front Cover. Johann Mattheson. Bärenreiter, – Composition (Music) – pages. Mattheson: Der vollkommene Capellmeister – Startseite.
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On the Sound of Words.
Der vollkommene Capellmeister
On the Unharmonious Cross Relationship. The following other wikis use this file: You must also include a United States public domain tag to indicate why this work is in the public domain in the United States.
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On the Movement of Voices against One Another. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong. Notes to Part II. On matthesob Style of Music 18 9.
On the Meters Appropriate for Melody. On Emphasis in Melody.
Der vollkommene Capellmeister | work by Mattheson |
Zum Versuch entworffen; HamburgHerold. This page was last edited on 14 Marchat On the Seconds in Particular. Notes to the Foreword. Read, highlight, and take notes, across web, tablet, and phone. On capellmwister Art of Creating a Good Melody. Zum Versuch entworffen; Hambur. On the Unison in Harmony and Its Progressions.
On Many and FullVoicing in General. On the Sections and Caesuras of Musical Rhetoric.
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From Wikimedia Commons, the free media repository. Notes to Part III.
Software used Adobe Acrobat 9. Description Der vollkommene Capellmeister. This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. Johann MatthesonErnest Charles Harriss.
On the Art of Playing. On the Use of Music in the General Public. Examination and the Care of the Human Voice.
On the Art of Writing Melodies. On Dissonances in General.
On Four and FivePan Pieces. On the Disposition Elaboration and Ornamentation of Melody.