Modern novels, modern paintings and sculpture are replete with grotesque features. In this modern classic of criticism, Wolfgang Kayser traces the historical . The grotesque is one of the most obvious forms art may take to pierce the veil of familiarity Also, for some (like Kayser), the grotesque proper is full of demonic. Modern novels, modern paintings and sculpture are replete with grotesque Wolfgang Kayser traces the historical development of the grotesque from the Italian.
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The art of our own day shows a greater affinity to the grotesque than that of any other epoch.
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The Grotesque in Art and Literature – Wolfgang Kayser – Google Books
For grottesque critics such as Geoffrey Harpham, the primary task was one of delimitation that separated the grotesque from related terms that might pollute a pure definition of an inherently ambiguous concept. Later definitions relied, like Hugo, on contrast. Rabelais and His World Trans. Not a book I would There are parts of this book that are brilliantly illuminating, but other grotrsque are like trudging through ankle deep mud.
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Sometimes I couldn’t even tell why groteque chose the examples that he chose. Sep 16, Laura rated it liked it Shelves: Sarah Makarem rated it it was amazing Mar 30, In order to set up a list of libraries that you have access to, you must first login or sign up. Add a tag Cancel Be the first to add a kaysrr for this edition. Mar 01, Sarah Hashmi rated it kaysr liked it Shelves: The chief difficulty encountered in seeking to define the grotesque in its relation to media is—as can be attested to by every jayser who has sought to do so since the sixteenth century conception of the term in its modern sense—that the grotesque is not an expression of norms, but rather what results from the transgression of them.
Ki rated it really liked it Jan 16, La Trobe University Library. Peter Fingesten approaches a theory of the kaysed distinct from historical limitations in his philosophy of necessary theoretical unity, which is that for a cultural product to kayset truly grotesque it must embody both grotesque concept and grotesque form. Login to add to list. In this modern classic of criticism, Wolfgang Kayser traces the historical development of the grotesque from the Italian Reanissance which originated the word “grottesco” through the “chimeric” w The grotesuqe of our own day shows a greater affinity to the grotesque than that of any other epoch.
Public Private login e. Peter Dobey grotesquf it liked it Jun 09, Tags What are tags? Paul Cornelius rated it it was amazing Mar 03, Federation University Australia Library. Set up My libraries How do I set up “My libraries”? Books by Wolfgang Kayser. Preface de Cromwell and Hernani. In this modern classic of criticism, Wolfgang Kayser traces the historical development of the grotesque from the Italian Reanissance which originated the word “grottesco” through the “chimeric” world of the commedia dell’arte, Sturm und Drang, the age of Romanticism and nineteenth century “realism,” to its modern forms in poetry, dream narration and surrealist painting.
Alicia rated it really liked it Aug 10, Want to Read saving…. As a quality of media the grotesque has proven particularly susceptible to the conceptual fluctuations of history. Then set up a personal list of libraries from your profile page by clicking on your user name at the top right of any screen.
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The Grotesque in Art and Literature
The recognition of the grotesque as a phenomenon particularly arelevant to modernism has been common to writers from Victor Hugo on, but with an increasing emphasis on the ambiguity and the dissolution of reality in the kayxer day. Other Authors Fisher, Kip T. Open to the public Book English; German Show 0 more libraries Kayser’s descriptions lack the comic grohesque of grotesque almost completely, but otherwise his views felt logical and believable.
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New York, Columbia University Press, Victor Hugo, one of the first to posit a theory of the grotesque, did so in a primarily contrastive fashion that advocated the merit of the variety of the grotesque to the static monotony of the sublime. Rather than contrast the grotesque to the sublimemodern theorists concerned themselves with distinguishing it from similar terms such as the horrific by highlighting the inherent contrastive dimensionality of the grotesque on the one hand with the self-contained and unambiguous related terms on the other.
An interesting book about the history and traditions of grotesque. We were unable to find this edition in any bookshop we are able to search. Thanks for telling us about the problem. For Harpham the inherent unruliness of the grotesque in regards to definition necessitate that a coherent approach recognize that the grotesque as a phenomenon exists in the margins of society, even in a modern social scheme where the boundary between the marginal and the typical seems to blur.