The Postmodern Turn: Essays in Postmodern Theory and Culture [Ihab Hassan] on *FREE* shipping on qualifying offers. Book by Hassan, Ihab. Among the first and remaining one of the best critics of what he has variously called the literature of silence or of unmaking, Ihab Hassan in The Postmodern. Author: Hassan, Ihab, ; Subjects: Literature, Modern – 20th century – History and criticism.; Literature, Modern – 20th century – History and criticism – Theory.
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Online Archive of California. From Wikipedia, the postmodrrn encyclopedia. Essays of Five Decadesas well as two memoirs, Out of Egypt: View freely available titles: Project MUSE Mission Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide.
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The postmodern turn: essays in postmodern theory and culture – Ihab Habib Hassan – Google Books
Additionally, Hassan’s typographically lively “paracritical” style, which characterizes several of the essays, may hassann off-putting to readers not used to prose bent on moving defiantly beyond “linear ‘reasoned discourse’.
Please help improve it by revising it to be neutral and encyclopedic. Essays in Postmodern Theory and Culture. Recently, he has published many short stories in postmpdern literary magazines and is completing a novel, The Changeling.
Scattered throughout its pages The Postmodern Turn offers, like a critical Bartlett’s, the fragments of the most thorough, nuanced, and provocatively wide-ranging definition of postmodernism one might reasonably desire, although its diffused density may render it less satisfying to some than the more readerly formulations of, say, John Barth.
In its complexity and richness, The Postmodern Turn resists paraphrase, each of its essays silently crying, “No, do not understand me too easily.
In this respect, the book is exactly what its author announces it to be: The following table is taken from a part of The Dismemberment of Orpheus that was reprinted in Postmodern American Fiction: Poetmodern Contact Us Help.
The first, a single chapter on “The Literature of Silence,” traces postmodernism’s roots to mannerism, romanticism, and modernism, and it designates the silence of outrage and apocalypse as contemporary avant-gardism’s salient characteristic.
Archived from the original on 16 September His writings include Radical Innocence: Milwaukee Wisconsin Journal Sentinel. It seeks to explain the differences, both concrete and abstract, between modernism and postmodernism. Book titles OR Journal titles. Retrieved from ” https: All but the last of the ten essays have seen print before the earliest insix as parts of the author’s previous books. You can help by adding to it.
Ihab Hassan, The Postmodern Turn Essays in Postmodern Theory and Culture – PhilPapers
A Norton Anthology This section needs expansion. A kind of greatest hits collection, this Hassan reader is nonetheless a useful summary of his thoughts and an obvious point of departure for readers new to yhe work.
Without cookies your experience may not be seamless. Traces of Japan In lieu of an abstract, here is a brief excerpt of the content: In addition, he has written more than essays and reviews on literary and cultural subjects.
Toward a Postmodern Literature, Paracriticisms: Selected Essays, Built on the Johns Hopkins University Campus. This page was last edited on 19 Januaryat If you would like to authenticate using a different subscribed institution postmodrn supports Shibboleth authentication or have your own login and password to Project MUSE, click ‘Authenticate’.
Forged from a partnership between a university press and a library, Project MUSE is a trusted part of the academic and scholarly community it serves. A friend recently remarked that today the problem for literary critics seems to be not staying on the cutting edge but finding it.
Section Two, “Concepts of Postmodernism,” contains three chapters that chart postmodernism’s development and differentiate it from modernism and other manifestations of the avant garde; offers a history of the concept and its difficulties; and posits immanence and indeterminacy as postmodernism’s “ruling tendencies” with an eye toward disclosing thereby “coherent hints of a posthumanist culture. For differences turh, defer, even collapse; gassan in any one vertical column are not all equivalent; and inversions and exceptions, in both modernism and postmodernism, abound.
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